Poetry and Fiction - The Michigan Daily https://www.michigandaily.com/michigan-in-color/poetry-and-fiction/ One hundred and thirty-two years of editorial freedom Tue, 16 May 2023 03:40:10 +0000 en-US hourly 1 https://www.michigandaily.com/wp-content/uploads/2021/03/cropped-michigan-daily-icon-200x200.png?crop=1 Poetry and Fiction - The Michigan Daily https://www.michigandaily.com/michigan-in-color/poetry-and-fiction/ 32 32 191147218 Bibi’s Tree https://www.michigandaily.com/michigan-in-color/bibis-tree/ Tue, 16 May 2023 03:40:07 +0000 https://www.michigandaily.com/?p=419450 tree

Bibi. Bibi yangu. My Grandmother. Her Tree. Bibi’s tree is yet to be a tree . . . but it is a tree to me. A plant that is supposed to reach her God. A plant that we water, so it grows. A plant that we pray over hoping it protects her. Even if it […]

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tree
Bibi. 
Bibi yangu.
My Grandmother. Her Tree. 

Bibi’s tree is yet to be a tree . . . but it is a tree to me.

A plant that is supposed to reach her God. 
A plant that we water, so it grows. 
A plant that we pray over hoping it protects her. 

Even if it never reaches even two ft tall.
It is a tree to me. 

The word plant isn’t enough.
A plant is so fragile. 
A plant is not worth the faith we have in its protection. 
A plant will whither. While a tree will thrive. 

A tree will keep growing towards her God. 
A tree will surpass the limits of the grave it's planted in. 
A tree signifies my Bibi much more than any plant could. 

My Bibi’s name was Salma. Peace.
Her name, just like her tree, means peace. Means safety. Means security. 

When I think of her tree, that is what her tree is to me. 

MiC Columnist Iman Jamison can be reached at ijamison@umich.edu.

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The chanting of the frogs https://www.michigandaily.com/michigan-in-color/frogcore/ Tue, 11 Apr 2023 01:56:04 +0000 https://www.michigandaily.com/?p=414286

I have never shied away from a scalpel Always eager for dissections in grade school I know what it is to have someone tug at your organs, methodically categorizing your pieces while you lay motionless, unaware. I was born amphibious know what it’s like to one day stretch out foreign limbs, suddenly developed, to adapt […]

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I have never shied away from a scalpel
Always eager for dissections in grade school
I know what it is to have someone tug at your organs, 
methodically categorizing your pieces 
while you lay motionless, 
unaware. 

I was born amphibious
know what it’s like to one day stretch out 
foreign limbs, suddenly developed, 
to adapt to an unfamiliar environment 
inhaling painful gulp, after gulp, after gulp 
surprised to find yourself suffocating, 
new lungs telling you to breathe air 
you do not yet know how to. 

Some of us are starved of moisture 
the lakes that once fed us having long-since run dry
Our porous skin learns to soak up 
every last droplet of the stagnant water,
uses it to sustain our glass organs
melding algae into ourselves 
until we glow a nauseous green.
The poisonous words intertwine with 
the ones that helped us grow —
Over time you forget how to tell the difference.
We become vessels of pain,
Sitting under leaves laden with rainwater,
ready to defend ourselves at the lightest touch.

It is difficult to learn to put down the knife 
To pick up the needle, mend without needing to know why.
To swim in the rivers, to sit in the drainpipe, 
To know when you are ready to leave.
If you listen close enough after it rains
You can hear the faint croaking of the frogs.

MiC Columnist Isabelle Fernandes can be reached at ellefern@umich.edu.

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Thunder thighs https://www.michigandaily.com/michigan-in-color/thunder-thighs/ Mon, 13 Mar 2023 23:05:18 +0000 https://www.michigandaily.com/?p=404207

At thirteen years old there was nothing I wanted more  than to be a Victoria’s Secret model. I idolized their elegant gazelle limbs  The way their thighs whispered to each other on the runway whisking past, gossiping surely. My thighs greet each other as old friends Shouting all along the street, yelling even when far […]

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At thirteen years old there was nothing I wanted more 

than to be a Victoria’s Secret model.

I idolized their elegant gazelle limbs 

The way their thighs whispered to each other on the runway

whisking past, gossiping surely.

My thighs greet each other as old friends

Shouting all along the street, yelling even when far too close

oftentimes they turn red from the efforts.

I entered the world screaming, 

never fully learned how to lower my voice.

My sound could find the deepest reaches of any room, 

reverberate through the most unsympathetic of materials,

penetrate the thickest walls.

I was once unwilling to soften myself

Uninterested in accommodating acoustics

Unaware of the desires to thin my sound.

I know my dress size is quieter on this side of the Atlantic

Told myself I had an American body type, that is

one unafraid to let seams squirm

to remind them I was not who they were intended for.

As a child the first stereotype I learned was 

“Americans are loud”

Relatives across the cold water 

frowning as they handed me

clothes one decibel too large.

Why can noise not be joyful?

There lies an island in a warmer ocean

where drivers honk, not to disrupt 

but to say, 

thank you.

The buses call,

Thank you for accompanying me on this long journey

To turning cars who reply,

May you reach your destination with 

the same kindness you have granted me.

I wish the same buttons were installed beneath our tongues 

to line our phrases with gratitude

and leave trails of happiness wherever we may pass.

This sound is a gift to wield

A guardian from those would devour us

content to hear their own words leave their mouth.

When a woman wants to convince her stalker she is not worth the trouble, 

she fakes insanity

a harpy shrieking at the sky

reminds the world 

she is not fit for consumption.

If I am destined to be resigned 

to telling long stories to shrinking shadows

to shooing away vultures 

picking decaying flesh 

off my brittle bones–

I hope someone will direct me towards the nearest canyon

Remind me to square my shoulders

Tilt my chin three degrees too high

And draw a last filling breath into my lungs

To fuel an endless echoing scream.

MiC Columnist Isabelle Fernandes can be reached at ellefern@umich.edu.

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When we are done (Ctrl. X&V) https://www.michigandaily.com/michigan-in-color/when-we-are-done-ctrl-xv/ Wed, 22 Feb 2023 00:20:58 +0000 https://www.michigandaily.com/?p=399361

Shut the door. The mirror beckons.  Wait for it to get humid,  And steep the Selves like tea, shed the sanctions, the shirts, and whisper, We’ve grown up hiding and lying,  riding and flying,  and drifting between living and dying.  We of yellowed skin and a temperament for Ambition; an affliction that tilts the world […]

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Shut the door. The mirror beckons. 

Wait for it to get humid, 

And steep the Selves like tea,

shed the sanctions, the shirts, and whisper,

We’ve grown up hiding and lying, 

riding and flying, 

and drifting between living and dying. 

We of yellowed skin and a temperament for Ambition;

an affliction that tilts the world to slipping, missing, hating

but searching for the firm grasp of My mother’s arms. 

When we are done cutting and pasting, 

we bathe in the extremes.

An exorbitant amount of shampoo 

and dangerously hot water will 

slough away any shame.

We are full of ourselves and humbled

by celebrating the depth of the graves

of which we’ve so gracefully created.

We of hidden lunchboxes and a spectrum of voices, 

this delicate dance that we’ve devised,

when we’re not all made to be dancers. 

When we are done cutting and pasting, 

a little too much soap can bathe it all away,

scalding hot water will boil away mistakes,

a little extra scrubbing, sting,

can mask red marks with smiles. 

We are larger than whole in pieces, 

jumping from place to place,

and staring at Faults in the face. 

We who are void of and saturated in talent, 

in masses liability grasped in our hands,

maybe we’ve trapped ourselves by the fingers and the mouths. 

When we are done cutting and pasting, 

a lot of everything, 

soap, temperature, tears,

is still not enough to fill the chunks we’ve cut from flesh

and a little bit of everything,

is yet always a tightening leash. 

When we are done cutting and pasting, 

we will still be hiding and lying, 

riding and flying, 

and remaining restlessly

somewhere between living and dying. 

So the mirror doesn’t matter, 

since the door shuts in the steam. 

MiC Columnist Alice HB Lee can be reached at alicelee@umich.edu.

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Relative to Dada https://www.michigandaily.com/michigan-in-color/relative-to-dada/ Tue, 14 Feb 2023 19:35:27 +0000 https://www.michigandaily.com/?p=396790 Young hand holding hands with an older hand

Sometimes I feel like I’m living relative to.  Relative to everything.  Relative to everyone.  Comparing my experiences with those who came before me.  Competing with them instead of simply appreciating the trails they blazed. I tell myself I do it all for them.  That this life I go about living is one I live for […]

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Young hand holding hands with an older hand

Sometimes I feel like I’m living relative to. 

Relative to everything. 

Relative to everyone. 

Comparing my experiences with those who came before me. 

Competing with them instead of simply appreciating the trails they blazed.

I tell myself I do it all for them. 

That this life I go about living is one I live for them. 

I tell myself that I am living my great-grandfather’s dream. 

my grandfather’s dream.

my father’s dream.

I lie to myself. 

For my grandfather did not want this for him — he wanted this for me. 

I go about papering books with sticky notes, writing pieces that are important to me, 

taking classes in dense political theory as if it isn’t what I want to do. 

This wasn’t my grandfather’s dream.

I travel different places, capturing the world through my camera lens, journaling away, filling notebooks upon notebooks with poetry as if I don’t do this for myself. 

I lie to myself. 

For my grandfather did not want this for him — he wanted this for me. 

My grandfather lived his life.

A one man show. 

Doing it all in one run.

Growing up in the countryside of Bangladesh. 

Eventually finding himself in the big, but little, city of Chittagong. 

Working as a line worker at a steel mill. 

Dreaming of owning one. 

Ending up owning two. 

Living the industrialist life. 

What an incredible life I’ve had the opportunity to witness. 

What a blessing it was to have enjoyed his company. 

His dreams for himself were different from the ones he had set aside for me. 

They were not expectations. They were simply a canvas of possibilities. 

I must learn to differentiate. 

For I am not my ancestor’s wildest dreams; what an imagined prestige. 

They didn’t live for me. And nor should I for them. 

I walk on the labor of their backs. 

I learn to appreciate and move forward. 

For every time I walk into a grand opportunity, it is the labor of the hundreds of brown men and women who came before me along with any of my hard work that brings me there. 

I must stop lying to myself. 

I live not for them, but for me.

MiC Columnist Alifa Chowdhury can be reached at alifac@umich.edu

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Why I Slept at 3 https://www.michigandaily.com/michigan-in-color/why-i-slept-at-3/ Fri, 10 Feb 2023 02:40:20 +0000 https://www.michigandaily.com/?p=395716

Reminders To the Ocean, My deepest apologies for  judging, you didn’t  lash out at  those helpless sailors, you were writhing. a tide of cool  blue currents washes down  my spine, as fingers dance a  mindless waltz through  my hair. A transmitter relaying,  across seas of hopeful stars, the universe’s message loud and clear. But maybe […]

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Reminders

To the Ocean,

My deepest apologies for 

judging, you didn’t 

lash out at 

those helpless sailors,

you were writhing.

a tide of cool 

blue currents washes down 

my spine, as

fingers dance a 

mindless waltz through 

my hair.

A transmitter relaying, 

across seas of hopeful stars,

the universe’s message

loud and clear.

But maybe I adjusted the frequency,

and never felt that punch 

without a swing, 

feeling it bore through 

my chest, seeking out my soul.

The soul It once protected, It:

the statue I used to

stare at from the banister, wondering 

why Periamma had chosen it to 

guard her front door,

a laughing Buddha 

buoyantly chiseled, warmth 

emanating from his smile.

But broken out

from the stone pedestal,

It unfurls into a tower, casting

shadows over town and mountain alike

lunging forward to fill its maw, gorging 

on my innards, a feast of 

my flesh and bones, 

teeth gnashing, eyes 

a lustful green

weighing down the scale

weighing me down to the floor

Which I slip through,

into midnight streets

all that existed 

was you and me

our laughs

warmed the air

floating on frostbitten breeze

that carried us in

to the computer lab,

watching shows on the board

as I battled against the pain

emanating from my sleeping legs,

afraid it would disturb

the warm gold vines that

slowly encircled us,

And when Joyce

walked in 

to clean 

on her graveyard shift,

that never prevented her from 

sitting with me for

sitting with me for

a few minutes,

we jump apart, 

bashfully innocent,

cheeks ablaze.


Cycles

When the wildflower

peaks out its head,

icy memories shudder,

and melt in

flames of Spring again.

Yet winter comes,

and the only heat

is from staring 

into the hearth,

and the comforter on my bed.

It’s no easy feat,

walking through the snow,

while the ghost of the sun

lingers in my chest— 

So I convince my mind 

Spring will never come.

Yet when I least expect it,

I see a blossom.

And my well-trodden road

is worn once more

oblivious the tempest

will soon rage

I avoid the chill

in the solace of my bed,

insulated by the

heat of another.

Nonetheless,

I ask myself, 

Why am I dreaming 

of the Wildflower?

Columnist Kuvin Satyadev can be reached at kuvins@umich.edu. 

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middle moments https://www.michigandaily.com/michigan-in-color/middle-moments/ Tue, 24 Jan 2023 23:36:49 +0000 https://www.michigandaily.com/?p=390220

there’s something special about those middle moments. like sitting in the passenger seat, on a sunny day, bollywood melodies sung by the radio, the wind whistling its harmony as I turn the pages of a book where the protagonist falls to his knees in the drizzling  streets of new york city. and for a brief […]

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there’s something special

about those middle moments.

like sitting in the passenger seat,

on a sunny day,

bollywood melodies sung by the radio,

the wind whistling its harmony

as I turn the pages of a book

where the protagonist

falls to his knees in the drizzling 

streets of new york city.

and for a brief moment in time,

you shift your gaze from its words

only, you haven’t quite realized

the raindrops collecting on your window.

or in a bustling café,

your eyes meet with a friendly face,

but in that fraction of a second,

you don’t recognize each other.

and in that middle moment,

you’re just two strangers,

locked into a staring contest.

MiC Digital Media Chair Yash Aprameya can be reached at yashas@umich.edu.

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it’s fall 2019, and https://www.michigandaily.com/michigan-in-color/its-fall-2019/ Fri, 09 Dec 2022 21:36:11 +0000 https://www.michigandaily.com/?p=383699

it’s fall 2019, and spring, now rings surreal.  I know you been feeling yo self in this late august heat, thinking you sweet for starting the story of a life-time, yo life, line-by-line, typing away, a sorta wayward prayer, a dodging,  hodgepodging bullet points in this baits ii joint into yo journal, each line an […]

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it’s fall 2019, and

spring, now rings surreal. 

I know you been feeling yo self in this late august heat,

thinking you sweet for starting the story of a life-time,

yo life, line-by-line, typing away, a sorta wayward prayer, a dodging, 

hodgepodging bullet points in this baits ii joint into yo journal,

each line an instance of divine rhyming, right timing, 

the proper priming in proper place in space.

you speak, so often, of greetings face-to-face, and now

(in ‘22 at 21) many of these names included have begun to elude me,

I suppose, I shoulda concluded back then, 

that them friendships, 

freshly formed, 

could not manage, 

would not weather the storms, 

the staggering detriments of time unwinding,

unraveling, you write the exciting (a reach..) climaxing social events, 

not venting as you’ll surely do in years latter, 

but merely mentioning the days’ matter(s) 

as nobody on north campus, 

you harmonize yo hippocampus—re-aligning, 

re-minding yo mind in each line,

attuning to true north, 

yo self-worth put forth by putting print finger to phone screen,

you fear yo notes app appears the lone, 

literary love of yo life in isolation, 

dense in desperation, immensely

wanting to be seen,

wanting to be 

wanted,

to be Black, 

back home, 

untampered,

and veiled, 

and now, sailed ships, 

shoulda-woulda-couldas, 

and slammed doors do come to mind as you 

hammer in the nails of happy-never-after.

this was before, you knew who you were, and

before you knew who you were, 

both, which now, at best, be a blur, 

but at the beginning, I do believe

you was fiending, forreal, so forlorn,

for friends, for favor, forfeiting flavor,

forfeiting taste… 

yet soon you savor satire, 

chasing the silliness,

the williness, yo newfound 

willingness to be vulnerable, 

veering towards the vigorous, 

confident comic I be coming, 

and you soon to be,

coming up on october already,  

all ready, this notes app steady,

these accounts earning a permanent spot

in the parking lot of yo mind, 

mediated memories of meetings, 

of may be’s,

thinking this may be, 

it might be the most comprehensive 

collection of self yet…

I do fear and I do fret ever so frequently,

thirst quenched from the satiated sensation,

lingering in the libation of remembering nearly everything,

enthralled by the re-call, the covert, completeness of it always 

circling back—yea, you been balling and, now, I be bawling 

cuz sometimes this journaling journey hurt. 

yea, it’s fall 2019, and 

you gon scroll through years of blurts and blisters, in between

yo tongue-tied twisters, them misunderstanding misters, 

the guys that gotchu good, should wonder would they re-call,

whether you’d remember at all if you never wrote it down, 

at this point in yo notes you can no longer nearly withhold,

nor deny the sheer gain of putting pain onto page, 

since september, sincerely re-collecting 

clearly got you feeling Godly,

remarkably proud, 

got you re-living the past aloud, 

fitting it fully onto yo phone, firm like a glove,

thinking you above while living so low.

you decide to believe, 

misconceive that if you get it, 

got it All on scroll, 

then you must be holy, now, 

wholly jotting everything down,

believing you knowing what’s up,

caught up, derailed in the details of disaster, 

insignificant fixations, going nowhere, 

and what’s faster now is how swiftly you find yo self slave 

to the text that once made you brave.

it’s fall 2020, and

spring is ringing surreal, 

really, really surreal. 

so real, this collective fervor, forreal, 

yo most meticulous, crafting of accounts 

come to a halt, as does life, 

alone on yo own…the days dwindle, 

obscuring together, you wonder whether it’s even worth it to write.

despite the journal, yo journey, 

the destination seems no longer worthy of yo time 

cuz, now, you climb new mountains of music, 

of improv, 

articles every week, 

every weekly, 

class daily, 

the daily, 

the art of improvising daily, 

improving daily, 

proving yo self, 

books on the shelf, 

shifting onward, toward

be coming who we are in isolation, 

not so dense in desperation, 

but beaming in-spiration, 

in Spirit — you did not write it all down, 

but I still re-call, still can hear it,

still can bear, 

the brooding and brewing of bonds, 

brothers in shared trauma carried about,

the outstanding, seed-planting of several sisters, 

blooming flowers for hours upon the screens, 

the smoke and mirrors behind the scenes. 

it’s fall 20, and 

ain’t nothing funny.

yet still, you—still we-call it so fondly,

in solitude you found yo self protruding inward, 

so few words spoken on any given day, 

though I could not say fasho, 

since the journal, 

the (re)mind-expediting expedition,

ain’t necessarily survive the perdition of summer 20…

but 21, well, that’s another story— 

revived, glory be to God!

yes, fall 21, against all odds,

followed a spring so surreal, 

we was reeling! we was perhaps, 

still healing from past lives, 

the past alive, trippy, tremendous, and

the hive(s) of five-hunnid folks, 

stupendously stacked in one humble hall, 

angelic, the journal, once again, 

be-came, be coming a sacred relic of re-counting,

I mean, we was surmounting some serious shiz…

tryna go bout our biz but busy as hell.

and well, it was in this time, 

when you be-came we be-came I be coming me, 

I still be coming me.

and yes, the junior-year journal does resonate differently, 

as I am, not yet, so divorced…

of course, as of now, I recognize everything we went through rather righteously, 

them days recorded so densely in tense desperation, 

the suspenseful intents to soak everything in, write everything down, and

around this time we was 

so severely wrapped in social buzz, the

does this make me look good? 

am I doing what I should? 

I could go on, 

I can’t get off, 

we was off…writing, re-writing, 

we-writing us, writing away,

writing a way to the past, 

abnegating our future, 

upsettingly mischaracterized,

steeped in a plotless, pointless story unstructured.

yet still, we will write it down,

we will write it all down, cuz 

there’s nothing we can’t miss. 

though we-miss the days of ‘20, 

that heedless haze, 

we-miss the days ‘19, 

them simpler ways.  

back then, you barely put bullets points per line per week,

but now, we speak in paragraphs…we speaking paragraphs!

graphic detailing, off-the-railing, definitive hailing, 

hurdling while journaling, 

notating them names, them events, 

they interplaying games, all that 

we went and witnessed in ‘21 was fundamental to 

my mental state/being…well, these notes app statements’, 

they notoriously piercing meanings still stays a fixture, forreal,

as it’s fall ‘22, and

the last spring, once anew, rings surreal, as I am now

steering straight ahead into this hallmark fall,

parking myself parallel to hell, to heaven, I heed these, 

bleed these pages with pride, each stroke, 

every line of story, a stride toward destiny,

and not desperation, this ego gotta be dissolving,

and though I’m not absolving myself of fate, fear, fault, or failure, 

I learned nobly from this notes app, 

approval ain’t coming from nobody else.

I ain’t tryna paint no perfect picture of the past,

but do believe I’m forging this finale at my fingertips,

toeing the lines, these lines, finely put, appear to me as history aflame,

illuminating my lingering bout this labyrinthine nexus,

campus’ infinite complexities mandated by my Maker 

‘cross some crass thirty-two hunnid acres, 

a long series of sentence fragments.

mainly epitomized in the magnetizing musings

navigating night-life, my weekend perusings, 

produce paragraphs of re-call, wandering,

wondering for and about a late hour, 

a great two hunnid words,

wading through slurred speech, 

writing the deeds done at dark, 

situating myself into the sonder of some random night out:

unearthing unearthly feelings, 

functions traversing realms, 

the poetics of appealing to peers, sobriety peeling, 

clipping away at the clubs, still coming in

in parts, in parties, bars, and low bars went to, 

money spent too, high-spirited energies pent-up, now, released—

the days’ deceased, yet the nights stay alive, 

forever, in these little lines.

trust, I’m checking for this trek in the morning, 

every morning, I gaze at this digital paper trail ablaze,

amazed, one, by the maze I manage, and

two, by the realization (in ‘22 at 21),  

that though these words won’t write my world whole,

they may patch holes in my hollow mind, 

align my soul with sacred time, the cyclical,

and make holy the moments most harrowing,

the most cynical, the most obscene.

but for now, though, slime, 

it’s fall 2019, and 

as you go on, 

re-counting these vast names, wide-ranging,

the games you gon be changing—

chill out for a second, chile, 

cuz you ain’t capturing it all…

yo troupe know that’s the Truth,

and ruthless as it may seem, 

in these four years I gleamed,

it’s the moments that don’t make it onto the page, 

eternally ephemeral on the stage, 

unpictured, undocumented, but imprinted,

encaged in my mind, those instances, 

‘less I stand corrected, 

may be the most divine. 

Acclaimed MiC Columnist Karis Clark can be reached at kariscl@umich.edu.

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This space and time: A fictional story on navigating loss https://www.michigandaily.com/michigan-in-color/this-space-and-time/ Mon, 05 Dec 2022 22:21:48 +0000 https://www.michigandaily.com/?p=381759

Today was my first day of tenth grade. I thought the summer would give everyone time to forget what had happened, but I guess I was wrong. I got a few pitiful smiles from people I don’t know. One girl even ran up and hugged me, mumbling something about how strong I am. I tried […]

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Today was my first day of tenth grade.

I thought the summer would give everyone time to forget what had happened, but I guess I was wrong. I got a few pitiful smiles from people I don’t know. One girl even ran up and hugged me, mumbling something about how strong I am. I tried keeping to myself for the most part, dodging the school counselors my mom was still insisting I meet with and rushing out of class before my teachers had a chance to speak with me. I knew they all recognized my last name as my brother’s, and I didn’t care for the same pitiful lecture they would all repeat to me. 

I walked home through the cemetery after my last class was out. I usually walk in from the back entrance to avoid running into anyone, but I went in through the front this time. I lingered at the entryway for a while, staring at the tall, dark metal gates as their shadows loomed over me. Before last year, I had never walked through these gates, or even thought much about what lay behind them. I stood there for a moment, replaying a memory from two years ago when my brother and I were walking to school before the sun had fully risen. He knew I was afraid of walking by the cemetery when it was dark and insisted that there was nothing to be afraid of. He handed me his backpack and squeezed in behind the gates, hiding behind the tall brick pillars and making cawing noises to spook me out. The cawing only lasted a few seconds before he ran back out jittering — as though he had gotten scared himself. He grabbed his bag from me and shouted, “Race ya!” as he stumbled ahead of me, half-running, half-skipping down the sidewalk. 

That was two years ago, and it has been one year since I stopped being afraid of the cemetery. I stood there in front of the gates and wondered what made him shrink with fear that day. And if I had not watched him as he was buried behind those very gates last year, would I still be afraid?

I walked in and sat near the grave of a woman who passed away on May 1, 1922. Beside her tombstone was what appeared to be her husband’s, who passed away a few days later, on the third of May. I sat there for a while, wondering if it was the difficulty of mourning his wife’s death that brought him to reunite with her only two days later. I don’t know the couple’s story, but I’m sure someone else does. There must have been a daughter, friend or sibling who came to their graves each day and trimmed the stems of the flowers they had brought by a few days earlier, replacing the dead with new. 

But how long could they have gone making that a daily occurrence?

Every day would become once a week, and soon enough, the once well-kept flowers would start to wilt on their own: their remains crushed by the disheveled stones that no one came by to realign. The windswept soil of the grave would become engulfed in sheets of flaky snow, longing for the warm touch of the hands that once stroked through it with such wistful delicacy. And the names of the couple carved so intricately into the ashen stone would be uttered less with each passing day. 

I wondered if my brother’s grave would suffer the same fate. I couldn’t picture myself going days without coming to see him. I would graduate high school, attend college and grow old in this city. I couldn’t live with myself if I knew he was here all alone, behind the gates that once left him horror-struck. I wondered if anyone had thought to do the same for this couple. Or if anyone was still honoring their lives and telling their stories. If there was a photo of them framed on a mantelpiece in a nearby home; or beneath layers of paint and primer, a corner of a wall with their initials engraved inside of a heart.

I gathered my things and left some of the lilies I had brought with me in between their graves. I started down the hilly gravel path toward my brother’s grave, where I saw my mom and little sister. As I watched them sitting there hunched over and helpless, embracing one another so tightly, I began to tear up. 

Today was the first anniversary of my brother’s death, and it was the first time I had to navigate the first day of school without him. I thought about where I was last year and where I am today. I thought about what little I knew about grief then and how much I know now.

Death hits you very suddenly at first. Most people remember all the insignificant details surrounding the time that the news of their loved one’s death came about. A random Wednesday afternoon could have borne the same insignificance to a person for years, possibly decades, until suddenly, that day replays in their mind for what feels like an eternity. 

I distinctly remember every detail of that Wednesday afternoon in September. In fact, I remember it so well, it’s as though I am still living through it. An entire calendar year has passed, but I still feel like it is 2:17 p.m. on the day I received news of his passing. 

After he died, everyone told me that my pain would ease with time. I doubt any of those people had experienced the loss of someone that they held so dear, and I still can’t help but feel angry at them as time passes and the pain only worsens. 

I have learned since that the appearance of grieving may grow subtle, and the hysterics may diminish, but the yearning only intensifies. As time passes, my memory of him grows more distant, and I worry I’ll forget him. I dread the day that I stop remembering how it felt to embrace him, or the way his eyes would glimmer when he smiled and how his cheeks would swell with the softest shade of pink when my grandma would tell him that he’d always be her favorite grandchild. It has only been a year, but I can’t picture it getting easier. The passage of time feels like a harsh reminder that the chasm between us is only growing wider. And each year on my birthday, I will be reminded that I am growing older and further away from the day that he died — while he remains there, trapped in time. 

In a strange way, it feels like I have abandoned him in an impalpable realm. It’s almost like I didn’t leave him at a place but rather at a point in time. 

This sensation has warped my perception of time in a way that is difficult for me to understand and even more difficult to articulate to the people around me. I envision it as an obliteration of a timeline, where things are happening all at once rather than chronologically. At the center is that grim Wednesday afternoon, and I exist concurrently at every point before and after that milestone. There is no past, present or future. I have started to feel all three at the same time, making the day he died exist less as a finite memory and more as an ongoing occurrence.

Through some sort of out-of-body experience, it’s as though I am moving forward with my life while watching myself still standing there when the news of his death first reached me — feeling as vulnerable and powerless as ever. The days that go by exist alongside that single day, where a part of me is frozen in time. And for each new day that comes, that one repeats itself over again, warping what I once understood of the past, present and future. 

My brother was dead yesterday, he is dead today and he will be dead tomorrow. As follows, tomorrow becomes yesterday, and today never stops being that Wednesday in September. 

The truth is, I don’t think I’ll ever become okay with the fact that he died. And I don’t think I’ll ever know life without him, even though I may learn to navigate it. It’s been one year, and the cycles of mourning have started to become commonplace. The paroxysmal grief, although just as turbulent as before, has grown familiar. I still can’t wrap my mind around the passage of time or ease the guilt I feel when I fail to present myself as the epitome of a grieving sister to the public eye. 

My mother and little sister, sitting in front of the grave, leaning upon each other, couldn’t possibly be experiencing grief in the same way I was. I can’t imagine my mother’s pain, having had to watch the life she brought into this world be taken away. And I don’t think she’ll ever understand mine. As for my younger sister, she won’t remember ever having a brother. She’ll live her whole life well-acquainted with the complexity of grief and death, without having any memory of its source. I’ll never understand that feeling, but I owe it to her to keep him alive in her memory and tell her all the stories of their time together that he would remember, but she never will. 

In keeping his memory alive, I can’t help but ask myself what things would be like if he was still around. I try to envision the distant picture of the person he was and grapple with the fleeting sensory memories of him to imagine a reality in which we still experience time together. If he was here today, I may have never walked through those cemetery gates. And I probably would have spent the remainder of my childhood fearing what lay beyond them. I wouldn’t have been standing there on that gravely path today, wiping the tears off my face and getting ready to walk up to my mom to tell her about my first day of school. 

My first first day without him. 

MiC Columnist Maryam Shafie-Khorassani can be reached at mshafie@umich.edu.

The post This space and time: A fictional story on navigating loss appeared first on The Michigan Daily.

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My liminal bodies https://www.michigandaily.com/michigan-in-color/liminal-bodies/ Mon, 05 Dec 2022 03:27:32 +0000 https://www.michigandaily.com/?p=381944

First off. Do you know what the word “liminal” means? You know “subliminal” — beneath a level of consciousness. Remove the prefix and liminal is in-between consciousnesses In between being. I fell into liminality in my teenage isolation Especially the spaces it occupied: Cloudy landscapes dotted with empty houses Houses vacant of furniture or residents […]

The post My liminal bodies appeared first on The Michigan Daily.

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First off.

Do you know what the word “liminal” means?

You know “subliminal” — beneath a level of consciousness.

Remove the prefix and liminal is in-between consciousnesses

In between being.

I fell into liminality in my teenage isolation

Especially the spaces it occupied:

Cloudy landscapes dotted with empty houses

Houses vacant of furniture or residents

Rooms devoid of function or feeling.

I want to lay on the carpet of an endless hotel hallway,

I want to wander through an infinitely empty mall,

I want to call my parents at this clientless gas station,

I could breathe in the chlorine and drink in the entirety of these swimming pools.

I need to press my face against these stairs to avoid looking at the dreamless dark of the closet.

I’d spend hours on end

Trapping myself in these images

Not being able to know what nostalgia they held

Not being able to identify why they held me still

Wanting so badly to be in their comfort I horrified myself.

Maybe that’s why I physically sought them out when my isolation intensified —

First the forays into forests,

Next the closed-for-the-shutdown businesses,

Then the abandoned-for-good buildings,

And finally the realization that so much of my city was a ghost town

I saw these sites as skeletons,

Their bare bones stripped save for a few still-abandoned organs

Cavernous ceilings that would likely never be reached again

Any cells that could have filled it left long ago —

A body in between being.

Maybe I grew up loving those kinds of bodies.

Every star-filled sky I see is seen by my inner child’s eyes —

I’ve grown taller towards them, a little closer with each year.

The vast universe doesn’t feel unfamiliar when my stardust knows its origin.

Planets without people, space without stars, event horizons of emptiness — bodies celestial but liminal too.

That feeling unites those spaces:

In star-filled skies,

Those skeletal structures, 

These strange snapshots.

Oxymoronically unfamiliar nostalgia that I want to stay in so strongly it horrifies me.

I keep a Kodak photograph on my desk;

It’s of a boy that I can’t recognize on so many days.

I can tell he’s not smiling at the camera but at his parents behind —

And I have no memory of looking at either the day it was taken.

A boy sitting in a cloudy sky, beaming in between being.

I put him there as a reminder of who I was —

Who I still am, really,

In order to treat that child with kindness.

I really try on so many days, but no one lives there anymore —

On so many days his joy jeers at me.

On so many days I want to carve into this Kodak print

I want to live inside that boy’s skin again

I want to crawl back into his head

Into that body not yet cracked and diseased with time and otherwise,

Into that brain not yet bridled with the weight of the world he was born in.

I see the person I was months and years ago

And still want that same thing on so many days.

I want that now-alien comfort back so desperately it terrifies me,

A comfort as far as the stars, the past of my city and those unreachable images —

But I know it’s what I want, and not what I need.

But what do I need?

For now, I need not be scared of how far time has brought me

Or fearful of how far it will continue to push me.

I can need some nostalgia only for where it’s brought me so far.

A boy sitting in a cloudy sky, staring at his family, his city beyond and stars above

All the way in between states of being, beaming at what we’ll become next.

MiC Columnist Saarthak Johri can be reached at sjohri@umich.edu

The post My liminal bodies appeared first on The Michigan Daily.

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