Posted inBooks Plotlessness paradoxically drives ‘The Candy House’ by Erin Evans May 6, 2022May 8, 2022
Posted inArts, Film, Style Student filmmakers: Sophia Raines by Erin Evans April 20, 2022January 9, 2023
Posted inArts, Film, Style Student Filmmakers: Cassidy Caulkins, Victoria Huang and Monica Iyer by Erin Evans April 14, 2022January 9, 2023
Posted inFilm Ann Arbor Film Festival 2022: ‘Rising Sun Blues’ explores womanhood and film by Erin Evans March 25, 2022March 25, 2022
Posted inFilm ‘Disfluency’ is a powerful feature debut from a U-M alum by Erin Evans March 17, 2022March 20, 2022
Posted inFilm The filmmakers of ‘On My Mind’ on loss, honesty and essence in the short film by Erin Evans March 9, 2022March 10, 2022
Posted inFilm ‘The Worst Person in the World’ is impactful while it lasts by Erin Evans February 22, 2022February 22, 2022
Posted inB-Side Our current apocalypse can’t be escaped in fiction by Erin Evans February 20, 2022February 20, 2022
Posted inFilm ‘The Sky is Everywhere’ delivers on style and complexity, but mostly just style by Erin Evans February 15, 2022February 15, 2022